Mini Truckin Baby Names

Hear hear Perhaps I decided to write my first real review ...

but only because the film really deserves, and it was a long time since I was struck by a film so much.

The STASI , an organ of political police of the former East Germany, is shown in all its technical and cold inhumane methods of persecution.

In the case presented in this film, Captain Wiesler (an excellent, unfortunately, to be pitied Ulrich Mühe) is asked by the party as the controller of the writer and playwright Dreyman ( played by an equally valid Sebastian Koch), which is also partner in the life of the actress Marie Sieland (Martina Gedeck) who plays the role of the protagonists of his plays.

Dreyman is very friendly with other artists adverse to the then communist regime, including Hauser and Jerska, but not openly despise any sign of the directives of the "party 'however, is equally trapped, his daily is also screened carefully, all his acquaintances, habits and intimacy of the moment are cataloged on hold when his friends buckle under pressure from protesters.

But at the moment when Wiesler begins to permeate the world of Dreyman more human in its implications, as it is involved in an irreversible way.

From that moment on, the Stasi bureaucrat gray and only starts to really feel the importance of artists such as Dreyman for the East German society, it is account of how essential it is able to relate with the outside world, including the undeniably as the accomplished men in having a companion at his side.

The companion that he never had, perhaps because they considered less important than a career as a persecutor of the secret police.

Envy of the Minister of Culture Hempf (he is first and foremost to dictate to stasis) is the main engine of investigation on Dreyman, as the housekeeper Sieland often abused with filthy blackmail, and the fragility of the same Sieland will be used to make an informant then.

Wiesler tries to cover all modes of actions Dreyman in the reports of wiretapping, convinced to do the right thing, but still can not escape the tragic fate of the Sieland who dies in an accident Following a fruitless search of the house of information on Dreyman thereof.

The human aspect of this film has something intimate and touching, the actors are exceptionally aware of interpreting, through their characters, a key piece of our history.

No human being should act as a torturer of his neighbor, because we all have our lives miserable, or that it is great.

A sincere greeting.

Pietro Sannino